Urban tale 2012 film12/28/2022 The earliest film in “Man on the Run” comes from this period. In 1939 he returned to Argentina, where he worked as an editor, an assistant director, and finally as a director of documentary shorts and narrative features. Not long after establishing residency on the East Coast, he took off for Hollywood, where he did an early stint as the technical advisor on an ultimately unrealized film called Way of a Gaucho-a title that anticipates the many restless wanderers who would come to populate his movies. He quickly ditched academia for a freelance career as a newspaperman and sports journalist, and in 1935 he went to New York City to learn English and continue his studies at Columbia University. The child of immigrant parents from Treviso, Italy, Fregonese was born in 1908 in Mendoza and attended primary and secondary school in Buenos Aires, where he started his university studies in economics. His peripatetic trajectory, meanwhile, gave him an extraordinary versatility and adaptability in multiple national film industries. Fregonese’s work demonstrates the economy of style and efficiency, the ability to get more out of less, characteristic of someone trained in the assembly-line production of the studio era. #URBAN TALE 2012 FILM MOVIE#His career led from an aesthetically ambitious but cash-strapped Argentine movie industry to Hollywood-where he traversed the fault lines of the studio system making a string of B-movies, from Westerns and crime pictures to melodramas-then to far-flung cities across Europe, and eventually back to Argentina. Ehsan Khoshbakht, the codirector of the annual Cinema Ritrovato festival in Bologna, and Dave Kehr, a curator in MoMA’s Department of Film, have taken Fregonese’s itinerancy to heart in their altogether fresh, revelatory selection of his films, which first screened in Italy this past summer as “Hugo Fregonese, Il Vagabondo” and is now playing at MoMA as “Hugo Fregonese: Man on the Run.” Over the span of four decades, he made movies in Argentina, the United States, Italy, England, West Germany, and Spain. #URBAN TALE 2012 FILM PROFESSIONAL#Stopping to see an old friend en route to California on horseback, the protagonist of Saddle Tramp (1950), a folksy ranch hand played by Joel McCrea, announces that he’s “just passing through.” The same could often be said of the film’s Argentine-born director, Hugo Fregonese, who spent his professional life in a near-constant state of movement.
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